Piazza San Marco towards the Basilica - Canaletto

Antonio Canal - Piazza San Marco Looking East towards the Basilica and the Campanile

Black / S / Sosna

€59,95

Piazza San Marco Looking East towards the Basilica and the Campanile Antonio Canal
We stand on the most famous square in Europe, and Canaletto directs our gaze straight to the heart of Venice. In the depths rises the Basilica of San Marco with its Byzantine domes and richly ornamented façade, and beside it the mighty campanile shoots into the sky. The perspective of the square, framed by the arcades of the Procuratie, leads the eye inexorably toward this architectural finale, like a meticulously staged theatrical scene. Here the painter displays his mastery in the play of light and detail. The square's pavement, the marble façades, the basilica's mosaics — all shine in the clear Venetian air, painted with almost hypnotic accuracy. And yet the picture is no cold study of architecture: it is enlivened by small figures of strollers, merchants and pigeons that bring the warmth of everyday life into the monumental space. For Venetians, Piazza San Marco was the drawing room of the whole city — a place of meeting, trade, festivity and politics. Canaletto immortalises it in full glory, showing not only stones and domes but the atmosphere of a place pulsing with life. It is a painting that invites you to step inside, cross the square and feel part of this singular, luminous scene.		DETAILS Title: Piazza San Marco Looking East towards the Basilica and the Campanile Original title: Piazza San Marco verso la basilica e il campanile Artist: Antonio Canal Date: ok. 1730 Place of origin: Venice, Italy Type : Painting Technique: Oil on canvas Genre: Weduta (pejzaż miejski) Style: Baroque / weduta wenecka Form: Painting

Antonio Canal - Piazza San Marco Looking East towards the Basilica and the Campanile

€59,95

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Mat board color Sosna Oak

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Proces produkcji

01
Archiwalny skan

Wysokorozdzielczy skan dzieła w jakości muzealnej — 300 DPI, wysoka rozdzielczość.
02
Korekta kolorystyczna

Autorska korekta kolorystyczna na podstawie analizy zależności tonalnych, tak by wydruk wiernie oddawał charakter dzieła.
03
Pigmentowy druk Epson

Druk na papierze artystycznym — Hahnemühle Photo Rag 308 oraz Epson Velvet Fine Art Paper przy użyciu tuszy pigmentowych Epson UltraChrome Pro 12 — trwałość ponad 100 lat.
04
Rama z litego drewna

Ramę wykonujemy ręcznie z litego dębu lub sosny, wykańczamy olejem Rubio Monocoat. Oprawiamy w muzealne, bezkwasowe Passepartout.
05
Kontrola + certyfikat

Każdy wydruk przechodzi kontrolę kolorystyczną i jakości ramy. Dołączamy certyfikat autentyczności z numerem edycji.