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Self-Portrait with Grey Felt Hat
Vincent Van Gogh
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| Out of the dim background emerges a face that Van Gogh studied with the curiosity of a scientist and unflinching honesty. The gaze, turned slightly aside, is focused and alert, while the grey felt hat and smart coat construct the image of a dignified city gentleman – the self Van Gogh chose to present during his Paris years. It is the portrait of a man who looks at himself attentively, yet without vanity. The entire surface vibrates with short, rhythmic brushstrokes laid in shifting directions like a web of energy. Around the head the marks curve into a kind of luminous halo, while the cool blues and turquoises of the background collide with the warm russet of the beard and moustache. It is a record of living experiment – Van Gogh's dialogue with the Pointillist technique, which he absorbed and instantly reshaped into his own unmistakable language. Within this small canvas lies a tension between composure and inner turbulence. The face is calm, yet the painted matter seems to tremble, as if to express what the features will not reveal. The self-portrait becomes more than a likeness – a confession of an artist who searched for himself through colour and texture, seeing in the mirror at once a model, a subject and the most difficult of riddles. Van Gogh often painted self-portraits out of necessity – unable to afford models, he turned to his own reflection. This image was created in the winter of 1887–1888 in Paris, where he lived with his brother Theo, and today belongs to the Van Gogh Museum in Amsterdam. It testifies to a pivotal period in which his palette brightened under the influence of the Impressionists and Pointillists. |
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DETAILS Title: Self-Portrait with Grey Felt Hat Original title: Zelfportret met grijze vilthoed Artist: Vincent Van Gogh Date: 1887–1888 Place of origin: Paris, France Type : Painting Technique: Oil on canvas Genre: Self-portrait Style: Post-Impressionism Form: Painting |
Vincent Van Gogh - Self-Portrait with Grey Felt Hat
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